Thursday October 5 was mainly cloudy with a few outbursts of rain in the late afternoon. High of 18C. After breakfast, we walked down to the Centre Pompidou and spent most of the afternoon at two excellent exhibits. The first was the David Hockney retrospective which opened just as the artist turned 80. It was a very comprehensive exhibit featuring drawings, prints, video installations, photographs and painting. It retraced his work from his early paintings in his Bradford, England schooldays to the monumental "joiners" he created at his Yorkshire studio. What is striking is Hockney's interest in modern technologies for the production of his images. Hockney also has had a life-long focus of bringing photography and painting together. It was an excellent and thorough survey of his work.
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Portrait of My Father, 1955 |
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The Cha Cha that was Danced in the Early Hours of the 24th, March 1961, 1961 |
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"The Drinking scene", from a Rake's Progress : A Graphic Tale Comprising Sixteen Etchings. 1961-63 |
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The Hypnotist, 1963 |
In 1964, Hockney moved to Los Angeles. He started a series of paintings of swimming pools in acrylic.
He returned to London in 1968 and from 1973-75 lived in Paris. He moved back to LA in 1976. He also most recently spent eight years living in England (mostly in East Yorkshire) from 2005- 2013, when he again returned to LA. He has a home and studio in London and two residences in California, a home in Nichols Canyon and an office in West Hollywood.
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The Sunbather 1966 |
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A Bigger Splash 1967 |
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Portrait of an Artist 1972 (Pool with two figures) |
Hockney embarked on a series of Double Portraits from around 1968-77. His last one was a lovely portrait of his parents, done a year before his father died.
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My Parents 1977 |
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Le Parc des Sources, Vichy 1970 |
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Mr. and Mrs. Clark and Percy 1970-71 |
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Christopher Isherwood and Don Bachardy 1968 |
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Rubber Ring Floating in a Swimming Pool, 1971 |
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A Large Diver, 1978
There was a room of self-portraits. For a period of time starting in the early 1980s, Hockney started the day by painting a self-portrait.
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Self Portrait |
Hockney also did a series of photo montages using polaroid pictures.
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Gregory Swimming, Los Angeles, March 31st, 1982 |
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Billy & Audrey Wilder, Los Angeles, April 1982 |
Hockney's house in the Hollywood Hills inspired a series of works.
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Large Interior, Los Angeles, 1988 |
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Nichols Canyon, 1980 |
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Garden 2015 |
What struck us was how prolific, accomplished and innovative Hockney is. His different styles, experimentation with technology, and great colour sense were inspiring.
The second exhibit featured André Derain (1880-1954), who played an important role in the emergence of Fauvism and Cubism, two of the avant-garde art movements of the early 20th century. Derain and Matisse were the founders of Fauvism.
Most of the exhibit focussed on the first decade of his career from 1904-1914. He moved to magic realism and his later paintings look very different than his earlier work.
He also took photographs, that he used as inspirations for his paintings.
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Le Bal a Suresnes 1903
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Le Pecq, hiver 1904-1905 |
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Arbre, paysage au bord d'une rivière 1905 |
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Le Séchange des voiles (Bateaux de pêche) 1905 |
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Henri Matisse 1905 |
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Portrait d'Henri Matisse |
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Pont sur le Riou (Paysage a L'Estaque) 1906 |
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La Musique 1904-05 |
Le Pont de Londres hiver 1906-07
Hyde Park 1906-1907
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Big Ben 1906 |
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Les Deux Seurs 1914 |
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La Chase, (L'Age d'or (Paradis terrestréll) 1938-44 |
After the two exhibits, we stopped at Au Coeur Du Marais for a quick bite. It was then onto the Marithé Francois Girbaud travelling pop up store, which just happened to be in town for three days, as it was in late November of last year when we were last in Paris. The two designers, Marithé Bachellerie and Francois Girbaud, started the label in 1972 and for years had stores in Paris, Antwerp and even New York for a while. They went into bankruptcy in 2012, but have reinvented themselves as a travelling pop-up and now have an on-line store again. We had a quick introduction to Marithé at the pop-up. Alain bought a birthday pair of pants and I bought a sweater.
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Rack of clothes |
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Alain modelling a pair of pants (slightly different than the ones he bought). The designers use interesting fabrics and their designs are awesome |
We then met our friend Judy for an apéro at La Belle Hortense, a wine bar in the Marais. We sat next to a young couple who had just moved to Paris, and her parents who were visiting from Detroit. They took a picture of us that was photobombed by the guy sitting at the next table.
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At La Belle Hortense for an apéro |
After our apero, we checked out a few restaurants in the Marais, but one was full and another closed for a few weeks. We decided instead to head back to our neighbourhood and eat at Le Refuge du Passé, which is just two doors down from our apartment. It turned out to be a good choice.
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Grace and Judy getting ready for the feast |
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Appetizer of smoked swordfish-- very nicely done |
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Cassoulet (our waiter said it was cooked for six hours) |
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The Diners |
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Grace (with her very tender beef dish) and Judy with her cassoulet |
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Alain and I shared a tangerine sorbet with real grapefruit slices for dessert |
In the course of our dinner, we noticed that there was no music, and the only noise, the customers chatting. What a change from the deafening music in so many North American restaurants. It was a great atmosphere and coupled with the European style of letting one enjoy the meal for as long as one wanted, it makes for a most enjoyable experience.
After dinner, it was very nice to have to only go two doors down to our apartment and crash.
We saw the Hockney exhibit back in July - you've done a wonderful job of capturing the experience
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